Review: A SONG OF SONGS, Park Theatre
A Song of Songs has been placed within a traditional Middle Eastern beat by Ofra Daniel, writer, composer, director, and lead actor as Tirzah, unfulfilled wife. Whether through the stamps and flowing skirts of flamenco or thumping percussive beats, the physicality of the piece takes centre stage. What may be missing is an emotional connection.
Review: PIPPIN - 50TH ANNIVERSARY CONCERT, Theatre Royal Drury Lane
Stephen Schwartz's 70s musical Pippin makes a triumphant return with a note perfect casting at Drury Lane's concert version, with Fosse-inspired choreography and costumes given a disco pride vibe. Alex Newell's vocals do not disappoint, Jac Yarrow is a fine lead, while Patricia Hodge is a poignant Berthe.
Review: MUCH ADO ABOUT NOTHING, Watermill Theatre
Much Ado About Nothing is a quintessential Shakespeare farce: mistaken identities, intertwining romances, betrayals and deception all wrapped up with a neat little bow by the end. The same can be said for the screwball comedies that dominated 1930’s and 40’s cinema, so it’s no surprise why Tom Wentworth would want to bring the events of Renaissance-era Messina to the backstage gossip of Golden Age Hollywood.
BroadwayWorld's Olivier Awards 2024 Predictions
The 2024 Olivier Awards are fast approaching on April 14. Ahead of one of the most exciting nights in theatreland, our critics – Aliya Al-Hassan, Mica Blackwell, Alexander Cohen, Katie Kirkpatrick, Kat Mokrynski, Gary Naylor, Kerrie Nicholson, Matthew Paluch and Christiana Rose share their thoughts about who and what will triumph on the night, as well as who should twin each category.
Review: LITTLE WOMEN THE MUSICAL at Reynolds Performance Hall
What did our critic think of LITTLE WOMEN THE MUSICAL at Reynolds Performance Hall? It was another sold out show at Reynolds Performance Hall, 223 Beatrice Powell St., in Conway, Friday, Feb. 16, for LITTLE WOMEN THE MUSICAL. With Book by Allan Knee, Music by Jason Howland, and Lyrics by Mindi Dickstein, this Louisa May Alcott classic, told through song and dance, entertained generations of March sister fans.
Review: A MIDSUMMER NIGHT'S DREAM, Royal Shakespeare Theatre
Eleanor Rhode directs a modern version of A Midsummer Night’s Dream, starring Mathew Baynton of Horrible Histories and Ghosts fame as Bottom, the fool who becomes one of several victims of fairy mischief. But, in a delightful twist, the star of the show is Puck, who was played by Premi Tamang due to the indisposition of Rosie Sheehy.